Igor Alexandre Pereira Ramos

Igor Ramos (b. 1991) is PhD Design student at the Aveiro University, where he’s currently developing an investigation related with the history and design of the Portuguese film posters, a research topic which has been his focus since the Master’s thesis. After an internship at Providência design studio, he has worked over the last three years in several design projects in the field of cinema, collaborating with institutions such as the Portuguese Film Academy, film distributor Nitrato Filmes, Cinema Trindade (in Porto) and Luso-Brazillian Film Festival (in Santa Maria da Feira) and ‘Sábado’ magazine, creating posters, visual identities and editorial projects. In 2017 he was awarded one of the first Nico awards, attributed by the Portuguese Film Academy to up-and-coming professionals in Portuguese cinema.

Grupos de Investigação

Publicações

Livros
  • PROVIDÊNCIA, Francisco, QUENTAL, Joana, RAMOS, Igor, CARDOSO, José Miguel, AFREIXO, Lígia, NEVES, Liliana, OSKAM, Pierre, GOMES, Raquel, CRUZ, Rita, BOELTER, Valéria, RODRIGUES, Yago W. (Jan-2019) UD18 Proceedings Book: Invisible Design – 7th Meeting on PhD Design Research. Aveiro:Universidade de Aveiro. Ligação
Capítulos de livros
  • RAMOS, Igor; BARBOSA, Helena (2020) – The future is now: what’s next for film posters? In MARTINS, Nuno; RAPOSO, Daniel (eds.) – “Advances in Design and Digital Communication: Proceedings of the 4th International Conference on Design and Digital Communication, Digicom 2020, November 5–7, 2020, Barcelos, Portugal”. Berlin: Springer Series in Design and Innovation, 2020. Vol. 12. Print: ISBN 978-3-030-61670-0. On-line: ISBN 978-3-030-61671-7. DOI: https://doi.org/10.1007/978-3-030-61671-7. p. 568-581. Ligação
  • RAMOS, Igor; BARBOSA, Helena (2020) – Designing for Cinema Trindade: graphic communication strategies in contemporary Portuguese cinemas. In MARTINS, Nuno; BRANDÃO, Daniel; RAPOSO, Daniel (ed.) – “Perspectives on Design and Digital Communication: Research, Innovations and Best Practices”. Berlin: Springer Series on Design and Innovation, 2020. Vol. 8. Print: ISSN 2661-8184. On-line: ISSN 2661-8192. Print: ISBN 978-3-030-49646-3. On-line: ISBN 978-3-030-49647-0. DOI: https://doi.org/10.1007/978-3-030-49647-0. p. 17-33. Ligação
International journals
  • RAMOS, Igor: BARBOSA, Helena (2019) – Para além do filme: a informação presente no design dos cartazes de cinema português (1920-1979). “INFODESIGN: Revista Brasileira de Design da Informação / Brazilian Journal of Information Design”. São Paulo: SBDI – Brazilian Society of Information Design. ISSN 1808-5377. Vol. 16, n. 2, (2019). p. 309-329. Ligação
International conferences
  • RAMOS, Igor; BARBOSA, Helena (2020) – Portuguese film posters at the dawn of Estado Novo: modernism under dictatorship. In VUKIĆ, Fedja; KOSTEŠIĆI, Iva (eds.) – “Lessons to learn? Past design experiences and contemporary design practices”. ICDHS 2020 – 12th Conference of the International Committee for Design History and Design Studies –. Faculty of Architecture, School of Design, Croacia. Zagreb: UP12M Books, 2020. Proceedings. ISBN 978-953-7703-67-7. p. 485-497.
  • RAMOS, Igor; BARBOSA, Helena (2019) – The future is now: what’s next for film posters? In MARTINS, Nuno; BRANDÃO, Daniel (coord.) – “Digicom 2019: 3rd International Conference on Design and Digital Communication”. Proceedings. Barcelos: Escola Superior de Design do Instituto Politécnico do Cávado e do Ave, 2019. ISBN 978-989-54489-5-1. p. 441-454. 5-6 November.
  • RAMOS, Igor; BARBOSA, Helena (2019) – Contributos para uma memória tipográfica do cartaz de cinema português; do nascimento (finais do século XIX à Revolução (1974). In LESSA, Joana – “ENT – 8th National Meeting of Typography”. Faro: Superior School of Education and Communication of the University of Algarve, 2019. ISSN – 2184-5867. p. 175-197.
  • RAMOS, Igor; BARBOSA, Helena (2019) – The reopening of Cinema Trindade: Design’s contribute for a neighbourhood cinema. In “DIGICOM – 3rd International Conference on Design and Digital Communication”. Proceedings. Barcelos: Escola Superior de Design do Instituto Politécnico do Cávado e do Ave, 2019. ISBN 978-989-54489-5-1. p. 441-454.
  • RAMOS, Igor; BARBOSA, Helena (2019) – Contributos para uma memória tipográfica do cartaz de cinema português; do nascimento (finais do século XIX à Revolução (1974). In LESSA, Joana – “ENT – 8th National Meeting of Typography”. Faro: Superior School of Education and Communication of the University of Algarve, 2019. ISSN – 2184-5867. p. 175-197.
  • RAMOS, Igor; BARBOSA, Helena (2019) – “Emotional space: understanding emptiness in film posters”. In UD 18 – “7th Meeting on PhD Design Research, UD18: Invisible Design. Proceedings Book. Aveiro: University of Aveiro, 2019. ISBN 978-972-789-585-4. p. 295- 303.
  • RAMOS, Igor; BARBOSA, Helena (2018) – The posters for the Asian films of João Pedro Rodrigues and João Rui Guerra da Mata: a comparative study. In “International Conference Portugal-China Intercultural Dialogues” Proceedings Book. Aveiro: University of Aveiro, 2018. ISBN 978-972-789-575-5. p. 555-568.
  • RAMOS, Igor; BARBOSA, Helena (2018) – The posters for the Asian films of João Pedro Rodrigues and João Rui Guerra da Mata: a comparative study. In “International Conference Portugal-China Intercultural Dialogues” Abstract Book. Aveiro: University of Aveiro, 2018. ISBN 978-972-789-501-4. p. 36-37.
  • RAMOS, Igor; BARBOSA, Helena (2018) – “Contributes towards a typographic memory of the Portuguese film poster: from the Revolution (1974) to the Present-day (2018)”. In MOREIRA, Luís; SANCHEZ, Miguel (eds.) of ENT – 9th National Meeting of Typography. Book of Abstracts. Tomar: ATIPO – Associação de Tipografia de Portugal, November 2018. ISNN 2184-3848. p. 32.
  • RAMOS, Igor; BARBOSA, Helena (2018) – “The history of opening titles in Portuguese cinema: first contributions”. In ICDHS 2018 – 11th Conference of the International Committee for Design History and Design Studies – Back to the future: the future in the past. University of Barcelona, Spain. Barcelona: Edicions de la Universitat de Barcelona, 2018. Proceedings. ISBN 978-84-9168-156-4. p. 488-492.
  • RAMOS, Igor; BARBOSA, Helena (2018) – “The history of opening titles in Portuguese cinema: first contributions”. In ICDHS 2018 – 11th Conference of the International Committee for Design History and Design Studies – Back to the future: the future in the past. University of Barcelona, Spain. Barcelona: Edicions de la Universitat de Barcelona, 2018. Book of abstracts. ISBN 978-84-9168-157-1. p. 54.
  • RAMOS, Igor; BARBOSA, Helena (2018) – “The Portuguese film poster in the 21st century: Design challenges and wonders”. In AVANCA 2018 – 9th International Conference Cinema: Art, Technology, Communication, Avanca, Portugal, 25-29 July, 2018. (forthcoming).
  • RAMOS, Igor; BARBOSA, Helena (2017) – Contributos para uma memória tipográfica do cartaz de cinema português; do nascimento (finais do século XIX à Revolução (1974). In “ENT – 8th National Meeting of Typography”, Superior School of Education and Communication of the University of Algarve, Faro, Portugal, 3-4 November, 2017. (forthcoming).
  • RAMOS, Igor; BARBOSA, Helena (2017) – The posters for the Asian films of João Pedro Rodrigues and João Rui Guerra da Mata: a comparative study. In “International Conference Portugal-China Intercultural Dialogues”. Aveiro: University of Aveiro: 2017. ISBN 978-972-789-501-4. p. 36-37.
  • RAMOS, Igor; BARBOSA, Helena (2016) – The Orient and the Occident through cinema and film posters: a Portuguese case study. In WONG, Wendy; KIKUCHI, Yuko; LIN, Tingyi (eds.) – “10th Conference Of The International Committee For Design History And Design Studies – Making Trans/National Contemporary Design History”. Proceedings Book. São Paulo: Blucher, 2016. ISSN 2318-6968. p. 90-94.
  • RAMOS, Igor; BARBOSA, Helena (2014) – 100 years of design in the Portuguese film poster: 1912-2012. In BARBOSA, Helena; CALVERA, Anna – “9th International Conference of ICDHS – International Committee for Design History & Design Studies – Tradition, transition, trajectories: major or minor influences?”. Poster Proceedings. Aveiro: Universidade Aveiro, 2014. ISBN 978-972-789-422-2. p. 34-35.
Ver todos 16 international conferences
Outras publicações
  • RAMOS, Igor; BARBOSA, Helena (2015) – 100 anos de design no cartaz de cinema português: 1912 – 2012. In PEIXINHO, Salete (coord.) – “ICON – 2nd International Congress of Design”. Vila Nova de Gaia: AND – Associação Nacional de Designers, 2015. p. 41-44.

Produção científica, artística e cultural

Prémios nacionais
  • RAMOS, Igor (2017) – Award Nico – Distinction atributed to emergent professionals in the field of Portuguse cinema. 1st edition: June of 2017. Academia Portuguesa de Cinema, Lisbon, Portugal.
Organização de eventos científicos
  • PROVIDÊNCIA, Francisco, QUENTAL, Joana, RAMOS, Igor, CARDOSO, José Miguel, AFREIXO, Lígia, NEVES, Liliana, OSKAM, Pierre, GOMES, Raquel, CRUZ, Rita, BOELTER, Valéria, RODRIGUES, Yago W. – Organizing Committee Member — UD18 – 7th Meeting on PhD Design Research — Invisible Design — 14-15 Jun 2018. http://ud18.web.ua.pt/index.php/en/english
Outras atividades de disseminação de atividade científica
  • RAMOS, Igor; BARBOSA, Helena (2020) – Revolução em curso: o cartaz de cinema português na década de 1970. Communication presented at the event “Spring Seminar 2020 (in the fall): Revolution & Cinema”. Universidade Católica Portuguesa, Escola das Artes. 15-16 October. On-line version.